{"id":63,"date":"2015-07-17T08:40:54","date_gmt":"2015-07-17T08:40:54","guid":{"rendered":"http:\/\/localhost:8888\/vestige\/?page_id=63"},"modified":"2019-03-22T13:31:51","modified_gmt":"2019-03-22T12:31:51","slug":"projet","status":"publish","type":"page","link":"https:\/\/mo5.com\/en\/projet\/","title":{"rendered":"Our project"},"content":{"rendered":"
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\n\t\t\t\t\t\tThe National Museum of Video Games and Popular Cultures\t\t\t\t\t\t<\/h1>\n\t\t\t\t\t\t<\/div>\n<\/div><\/div><\/div>
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On the strength of its collection, one of the largest in Europe, and its experience in organising long-term exhibitions, the MO5.com association wants to offer digital and IT heritage a permanent place to be preserved and shared with the public.<\/p>\n

Our ambition is to create a National Museum of Video Games and Popular Cultures, open to all and interactive, offering a chronological and thematic tour of digital technologies.<\/p>\n<\/div><\/div><\/div><\/div>

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There is no major venue dedicated to video games and contemporary popular cultures in France, to the creative industries and to the foremost of them all, video games. By contemporary popular cultures we mean the mix of cinema, television, cartoons, video games, comic books, novels, music, internet creations and digital technologies that form a shared culture for our fellow citizens.<\/p>\n

Yet our country has major assets in the field of creative industries and video games. It is unique in that it combines a very strong artistic culture with a strong technological culture. To name just a few areas, it has excellent training in art, computing, graphics, web design, comic strips, engineering and video games, producing talent that is recognised the world over and has led to the development of leading companies.<\/p>\n<\/div><\/div>

A wealth to be exploited<\/h3>
Yet France doesn't have the visibility that Japan or the United States do in these areas. Who knows that many of the American science fiction films of the 1980s owe their aesthetic to the series published in the French comic magazine M\u00e9tal Hurlant? Who knows that France was at the forefront of 3D video games in the 1990s and is now a major player? Who knows that today France is literally flooding animation and video game studios around the world with its 3D designers and animators?<\/div>\n
\nHowever, apart from occasional exhibitions in establishments dedicated to other subjects, video games and the associated popular culture are not presented on a permanent basis, and certainly not in the foreground. That's why we're proposing the creation of a new cultural institution in the Paris region.<\/div>\n
\n
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What we are proposing is a major museum of video games and contemporary popular culture, combined with a creative industries campus. It would present, chronologically and thematically, the cultural productions shared by every generation of French people, from the 1960s to the present day. From the 1970s onwards, the backbone of the museum would be video games and digital technologies. There would be French productions and foreign productions that were successful in France. After all, you can't understand the children's TV shows of the 1980s without Japanese cartoons, just as you can't forget the hit French productions of the time, such as \"Il \u00e9tait une fois la vie\".<\/p>\n<\/div>\n<\/div>\n<\/div><\/div>

An interactive museum<\/h3>

The museum would be based on the \"accessible museum\" concept that MO5.COM has been developing for over 15 years in the video game industry. Everything will be done to ensure that everyone can access the objects on display. The video games will be playable in their original conditions on period hardware. This principle will apply to all media.<\/p>\n

For comics, a dedicated room will display original albums in showcases and a comfortable reading area will allow visitors to consult the corresponding albums. In a room dedicated to the wave of disco music in France, seats equipped with directional speakers will allow visitors to listen to the records of the era, by Sheila, Claude Fran\u00e7ois and others.<\/p>\n<\/div><\/div>

A family and intergenerational museum<\/h3>

It will be a family museum, with each generation being able to explain the content of its own period to other generations. It will also be a contextual museum, offering historical, aesthetic, economic and social explanations to help visitors understand the objects on display.<\/p>\n<\/div><\/div>

Collections already available<\/h3>

The MO5.COM association has built up the largest collection of video games and digital technologies in Europe, with a view to donating it when a national museum opens. Other collections already exist to complement it in related fields.<\/p>\n<\/div><\/div>

A successful theme<\/h3>

There have already been many successful exhibitions in this field, from the smallest to the largest:\u00a0Game Story: A History of Video Games<\/a> at the Grand Palais, A History of Video Games at the Mus\u00e9e de la Civilisation du Qu\u00e9bec<\/a>, GAME at the EDF Foundation<\/a>Goscinny and the cinema at the Cin\u00e9math\u00e8que fran\u00e7aise, Barbie at the Mus\u00e9e des Arts D\u00e9coratifs, Miyazaki-Moebius dialogue between creators of worlds at the Paris Mint, etc.<\/p>\n<\/div><\/div>

A major venue, a new popular space in Paris<\/h3>

The museum will need to be on a par with the major establishments in the Ile-de-France region in terms of surface area if it is to offer attractive displays to visitors.<\/p>\n

At the same time, the museum will open a specialised public library and will be staffed by teams of researchers (historians, ethnologists, art historians). All the components of a genuine creative industries campus will be brought together around the museum, including specialised schools, a start-up incubator, industry representatives, work tools for creators (library, games library, design library, archives, etc.) and a video game research institute.<\/p>\n

The campus will become a showcase for France's creative industries and video game creation.<\/p>\n<\/div><\/div><\/div>

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On the strength of its collection, one of the largest in Europe, and its experience in staging long-term exhibitions, the MO5.com association wants to offer digital and computer heritage a permanent place to be preserved and shared with the public. Our ambition is to create a National Museum of Video Games and Popular Cultures, open to all and interactive, offering a chronological and thematic tour of digital technologies. There is no major venue dedicated to video games and contemporary popular cultures in France, to the creative industries and to the foremost of them all, video games. By contemporary popular cultures we mean the mix of cinema, television, cartoons, video games, comic strips, novels, music, internet creations and digital technologies that form a shared culture for our fellow citizens. Yet our country has major assets in the field of creative industries and video games. It is unique in that it combines a very strong artistic culture with a strong technological culture. To name just a few areas, it has excellent training in art, computing, graphics, web design, comic strips, engineering and video games, producing talent that is recognised the world over and has led to the development of leading companies. Yet France does not have the visibility that Japan or the United States have in these fields. Who knows that many of the American science fiction films of the 1980s owe their aesthetic to the series published in the French comic magazine M\u00e9tal Hurlant? Who knows that France was at the forefront of 3D video games in the 1990s and is now a major player? Who knows that today France is literally flooding the world's animation and video game studios with its 3D designers and animators? Yet, apart from occasional exhibitions in establishments dedicated to other subjects, video games and the associated popular culture are not on permanent display, and certainly not in the foreground. That's why we're proposing the creation of a new cultural institution in the \u00cele-de-France region. What we are proposing is a major museum of video games and contemporary popular culture, linked to a creative industries campus. It would present, in a chronological and thematic way, the cultural productions shared by every generation of French people, from the 1960s to the present day. From the 1970s onwards, the backbone of the museum would be video games and digital technologies. There would be French productions and foreign productions that were successful in France. After all, you can't understand the children's TV shows of the 1980s without Japanese cartoons, just as you can't forget the hit French productions of the time, such as \"Il \u00e9tait une fois la vie\".<\/p>","protected":false},"author":321,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"give_campaign_id":0,"footnotes":""},"class_list":["post-63","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nNotre projet - MO5.COM<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/mo5.com\/en\/projet\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Notre projet - MO5.COM\" \/>\n<meta property=\"og:description\" content=\"Forte de sa collection, une des plus importantes d'Europe, et de son exp\u00e9rience dans la mise en oeuvre d'expositions de longue dur\u00e9e, l'association MO5.com souhaite offrir au patrimoine num\u00e9rique et informatique un lieu p\u00e9renne de pr\u00e9servation et de partage avec le public. Notre ambition est la cr\u00e9ation d'un Mus\u00e9e National du Jeu Vid\u00e9o et des Cultures Populaires, ouvert \u00e0 tous, interactif, qui proposerait un parcours \u00e0 la fois chronologique et th\u00e9matique des technologies num\u00e9riques. Il n\u2019y a pas de lieu majeur d\u00e9di\u00e9 au jeu vid\u00e9o et aux cultures populaires contemporaines en France, aux industries cr\u00e9atives et \u00e0 la premi\u00e8re d'entre elles, le jeu vid\u00e9o. Par cultures populaires contemporaines nous entendons ce m\u00e9lange de cin\u00e9ma, t\u00e9l\u00e9vision, dessin anim\u00e9, jeu vid\u00e9o, bande dessin\u00e9e, roman, musique, cr\u00e9ations sur internet, technologies digitales qui forme une culture partag\u00e9e pour nos concitoyens. Notre pays dispose pourtant d'atouts majeurs dans le domaine des industries cr\u00e9atives et du jeu vid\u00e9o. Il a en effet la particularit\u00e9 de concilier une tr\u00e8s forte culture artistique avec une forte culture technologique. 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Or, sortis d'expositions ponctuelles dans des \u00e9tablissements d\u00e9di\u00e9s \u00e0 d'autres sujets, le jeu vid\u00e9o et la culture populaire associ\u00e9e ne sont pas pr\u00e9sent\u00e9s en permanence et surtout pas au premier plan. C'est pour cela que nous proposons la cr\u00e9ation d'un nouvel \u00e9tablissement culturel en \u00cele de France. Ce que nous proposons, c'est un grand mus\u00e9e des jeux vid\u00e9o et des cultures populaires contemporaines, associ\u00e9 \u00e0 un campus des industries cr\u00e9atives. Il pr\u00e9senterait dans un parcours chronologique et th\u00e9matique les productions culturelles partag\u00e9es par chaque g\u00e9n\u00e9ration de fran\u00e7ais, des ann\u00e9es 1960 \u00e0 nos jours. La colonne vert\u00e9brale du mus\u00e9e serait \u00e0 partir des ann\u00e9es 70 fournie par le jeu vid\u00e9o et les technologies num\u00e9riques. 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